The Narrator

I must be of some alien race. Impregnated in an unsuspecting human like my grandmother used to read to me about from the National Inquirer. I’ve always had the sense of being askew, ajar, androgynous and several other words beginning with the letter ‘a’ that suggest being somewhere in the middle of something, but, nowhere in particular. I took this as a sign that I was preordained, sent to this planet for some majestic reason not to be revealed until the unknown day when the sky would open up and the sun would crown my head and a voice would bellow Go that way.
I felt chosen, maybe a little immortal.

My mother seemed to know this. She’d say to me, You’re special; you’re going to do great things. Not great as in super or gold star, but great as in Almighty, Divine, Monumental.

But the years have passed and I’ve failed to prove in possession of any miraculous qualities. And I’ve watched myself transform from the unrealized child prodigy to the aging underachiever. So I guess I am then, just one of the masses. Which brings me to another ‘a’ word I’ve become, post potential-child-prodigy era: apathetic.



Down, down into sleep, a fall which takes the all of me. Most people dream on the inside, my dreams are inside out. When I have flying dreams, I jump off the roof, off rock walls, off the side of my bed. Once, I leapt from the bathroom sink.

The dreams have always steered me stronger than my own will. I’ve never felt lucid in the light of day, but I can hold onto the fantasies of the night. I play them out, the entranced actor, jester of my own court. I don’t know who wields the strings, but I’ve dreamt of a dark place, dark like the blacks of my eyes. It’s a lulling darkness, and a place I seek in my waking life.

The train is passing me by. Here I am, alongside the tracks, where I’ve been all my life. The rhythm has been enough. Just to see the flash of the boxcars, the color and steel, stream by me in a river of time. Watching still air smack to wind, hit by the passing train. I thought for years that this would be my life, all I could need or want until I was the air myself, colliding with the forces that would whisk me into the surrounding darkness: the darkness in the forest, the darkness of my peripheral vision. The darkness that can’t be taken by the night. Earth has been groped, measured and accounted for, but go up, clear the trees and the mountains and the skyscrapers, and this house has no roof and no walls, which is why I watch this train. I’ve never understood much about specifics. My mind lacks the gravity to hold all the pieces together. Things just fall apart, or, less severely, they float away. That happens whenever I look up at the sky. Up and down are all relative to where you’re standing. Since I’m not sure where to stand, I watch the train.

2003